MITTEILUNG
«Epistemological Dizziness»
10.15 am – 6 pm
with texts by Tobias Rees, «After Ethnos», 2018 Durham, NC: Duke University Press and Eve Kosofsky Sedgwick «Paranoid Reading and Reparative Rea-ding, or, You’re so Paranoid, You probably Think This Essay is About You», 2003 in: Touching Feeling: Affect, Pedagogy, Performativity, ed. by Eve Kosofsky Sedgwick, 124-151. Durham, NC: Duke University Press. 06.03.2019, A 2.11
«The Cloud and the Earth»
10.15 am – 6 pm
with texts by Lorraine Daston «Cloud Physiognomy», 2016 Representations 135 (1) and Tung-Hui Hu «A Pre-History of the Cloud», 2015 Cambridge, MA: MIT Press 20.03.2019, D 6.04
«Air and Dust»
10.15 am – 6 pm
with texts by Jay Owens, «The Flavour of Los Angeles», 2017 (Disturbances #15) and Eva Horn, «Air as Medium», 2018 In Grey Room 73 03.04.2019, A 2.11
Morningworkshop with Dorothée King
10.15 am – 1 pm
Art and Design Education HGK FHNW «Object-Oriented Ontology»
2 pm – 6 pm
with a text by Timothy Morton «Hyperobjects. Philosophy and Ecology after the End of the World», 2013 Minneapolis: University of Minnesota Press «Taste of Cement» (Film), 2018
5 pm – 6.30 pm
Ziad Kalthoum,
Screening at studiokino FHNW HGK 10.04.2019, D 7.07
«Object-Oriented Feminism»
10.15 am – 6 pm
with a text by Katherine Behar «An Introduction to OOF» In Object-oriented Feminism, 2016 ed. by Katherine Behar Minneapolis: University of Minnesota Press 2.15 pm – 6 pm
Afternoonworkshop
with Matthias Böttger
Hyperwerk HGK FHNW 02.05.2019, D 4.04
«Waves and Tides»
2 pm – 6 pm
with texts by Stefan Helmreich «The Gender of Waves», 2018 Women’s Studies Quarterly 45 and Elizabeth Povinelli «The Kinship of Tides» In Tidalectics. Ima-gining an Oceanic Worldview through Art and Science, 2019 ed. by Stefanie Hessler Cambridge, MA: MIT Press 15.05.2019, Public Lecture
Ashkan Sepahvand (Berlin)
«Transformation through Darkness»
6pm – 8pm
Studiokino D 0.01 16.05.2019, A 2.11
Workshop with Ashkan Sepahvand
10.15 am – 6 pm 23.05.2019, D 7.07
Workshop with NN
10.15 am – 3 pm ECAM European Center of Art,
Design and Media based Research
www.ecam.ch Hochschule für Gestaltung und Kunst FHNW
Freilagerplatz 1
CH–4142 Münchenstein bei Basel
Epistemological Dizziness:
ECAM Graduate School Invites PhD candidates
The ECAM Graduate School of the FHNW Academy of Art and Design in Basel is a cooperation partner of the Art University Linz within the PhD programme. The ECAM Graduate School hence would like to invite PhD candidates of the University of Art and Design Linz to participate in the current study program on epistemological dizziness. The ECAM Graduate School aims at investigating contemporary cultural and economic transformations through practice-based, artistic research and contributes to the advancement of research-based pedagogies. The study program is an integral part of the ECAM Graduate School and also acts as an interface to other students of the FHNW Academy of Art and Design and an interested public. The current program is part of Cluster III of ECAM: Impact of Culture and is curated by Johannes Bruder, Researcher at the FHNW Academy of Art and Design in Basel. The study program consists of colloquia and public lectures. If interested, doctoral candidates can register for the individual events at any time by contacting Dr. Linda Ludwig and Maja Riegler (ecam.hgk@fhnw.ch). You can find the complete program and further elaborations here: ecam.ch The dates for the Colloquia and Public Lectures in this semester are: 20.02.2019, D 7.07«Epistemological Dizziness»
10.15 am – 6 pm
with texts by Tobias Rees, «After Ethnos», 2018 Durham, NC: Duke University Press and Eve Kosofsky Sedgwick «Paranoid Reading and Reparative Rea-ding, or, You’re so Paranoid, You probably Think This Essay is About You», 2003 in: Touching Feeling: Affect, Pedagogy, Performativity, ed. by Eve Kosofsky Sedgwick, 124-151. Durham, NC: Duke University Press. 06.03.2019, A 2.11
«The Cloud and the Earth»
10.15 am – 6 pm
with texts by Lorraine Daston «Cloud Physiognomy», 2016 Representations 135 (1) and Tung-Hui Hu «A Pre-History of the Cloud», 2015 Cambridge, MA: MIT Press 20.03.2019, D 6.04
«Air and Dust»
10.15 am – 6 pm
with texts by Jay Owens, «The Flavour of Los Angeles», 2017 (Disturbances #15) and Eva Horn, «Air as Medium», 2018 In Grey Room 73 03.04.2019, A 2.11
Morningworkshop with Dorothée King
10.15 am – 1 pm
Art and Design Education HGK FHNW «Object-Oriented Ontology»
2 pm – 6 pm
with a text by Timothy Morton «Hyperobjects. Philosophy and Ecology after the End of the World», 2013 Minneapolis: University of Minnesota Press «Taste of Cement» (Film), 2018
5 pm – 6.30 pm
Ziad Kalthoum,
Screening at studiokino FHNW HGK 10.04.2019, D 7.07
«Object-Oriented Feminism»
10.15 am – 6 pm
with a text by Katherine Behar «An Introduction to OOF» In Object-oriented Feminism, 2016 ed. by Katherine Behar Minneapolis: University of Minnesota Press 2.15 pm – 6 pm
Afternoonworkshop
with Matthias Böttger
Hyperwerk HGK FHNW 02.05.2019, D 4.04
«Waves and Tides»
2 pm – 6 pm
with texts by Stefan Helmreich «The Gender of Waves», 2018 Women’s Studies Quarterly 45 and Elizabeth Povinelli «The Kinship of Tides» In Tidalectics. Ima-gining an Oceanic Worldview through Art and Science, 2019 ed. by Stefanie Hessler Cambridge, MA: MIT Press 15.05.2019, Public Lecture
Ashkan Sepahvand (Berlin)
«Transformation through Darkness»
6pm – 8pm
Studiokino D 0.01 16.05.2019, A 2.11
Workshop with Ashkan Sepahvand
10.15 am – 6 pm 23.05.2019, D 7.07
Workshop with NN
10.15 am – 3 pm ECAM European Center of Art,
Design and Media based Research
www.ecam.ch Hochschule für Gestaltung und Kunst FHNW
Freilagerplatz 1
CH–4142 Münchenstein bei Basel
